{"id":34,"date":"2022-04-04T20:45:22","date_gmt":"2022-04-04T20:45:22","guid":{"rendered":"https:\/\/globalmusichistory.ams-net.org\/?page_id=34"},"modified":"2022-04-11T16:30:03","modified_gmt":"2022-04-11T16:30:03","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/globalmusichistory.ams-net.org\/?page_id=34","title":{"rendered":"Bibliography"},"content":{"rendered":"\n

* This bibliography is not meant to be an exhaustive list of relevant works. If you would like to add your or other work(s) to this list, please e-mail globalmusichistory.ams@gmail.com<\/a>.\u00a0<\/p>\n\n\n\n

Bibliography – Music Studies<\/strong><\/p>\n\n\n\n

Araci, Emre. \u201cGiuseppe Donizetti at the Ottoman Court: A Levantine Life.\u201d The Musical Times <\/em>143, no. 1880 (Autumn 2002): 49\u201356.<\/p>\n\n\n\n

———–. \u201cThe Turkish Music Reform: From Late Ottoman Times to the Early Republic.\u201d In Turkey\u2019s Engagement with Modernity: Conflict and Change in the Twentieth Century, <\/em>edited by Celia Kerslake, Kerem \u00d6ktem, and Philip Robins, 336\u201345. Basingstoke: Palgrave Macmillan, 2010.<\/p>\n\n\n\n

Agawu, Kofi. Representing African Music: Postcolonial Notes, Queries, Positions. <\/em>New York and London: Routledge, 2003.<\/p>\n\n\n\n

Averill, Gage. Four Parts, No Waiting: A Social History of American Barbershop Quartet. <\/em>New York and London: Oxford University Press, 2003.<\/p>\n\n\n\n

Barendregt, Bart, and Els Bogaerts, eds. Recollecting Resonances: Indonesian-Dutch Musical Encounters<\/em>. Boston: Brill, 2014.<\/p>\n\n\n\n

Baker, Geoffrey. Imposing Harmony: Music and Society in Colonial Cuzco<\/em>. Durham, NC: Duke University Press, 2008.<\/p>\n\n\n\n

———–, and Tess Knighton, eds. Music and Urban Society in Colonial Latin America<\/em>. Cambridge: Cambridge University Press, 2011.<\/p>\n\n\n\n

Beckles Willson, Rachel. Orientalism and Musical Mission: Palestine and the West<\/em>. Cambridge: Cambridge University Press, 2013.<\/p>\n\n\n\n

Bloechl, Olivia. Native American Song at the Frontiers of Early Modern Music<\/em>. Cambridge: Cambridge University Press, 2008.<\/p>\n\n\n\n

———–. \u201cWendat Song and Carnival Noise in the Jesuit Relations<\/em>.\u201d In Native Acts: Indian Performance in Early North America<\/em>, edited by  Joshua David Bellin and Laura L. Mielke, 117\u201344. Lincoln: University of Nebraska Press, 2011.<\/p>\n\n\n\n

———–. \u201cRace, Empire, and Early Music.\u201d In Rethinking Difference in Music Scholarship<\/em>, edited by Olivia Bloechl, Melanie Lowe, and Jeffrey Kallberg, 77\u2013107. Cambridge: Cambridge University Press, 2015.<\/p>\n\n\n\n

———–. \u201cMusic in the Early Colonial World.\u201d In The Cambridge History of Sixteenth-Century Music<\/em>, edited by Iain Fenlon and Richard Wistreich. Cambridge: Cambridge University Press, 2019.<\/p>\n\n\n\n

———–. \u201cThe Catholic Mission to Japan, 1549\u20131614.\u201d In Cambridge History of Sixteenth-Century Music<\/em>, edited by Iain Fenlon and Richard Wistreich. Cambridge and New York: Cambridge University Press, 2019.<\/p>\n\n\n\n

Bohlman, Philip V., ed. The Cambridge History of World Music<\/em>. Cambridge: Cambridge University Press, 2013.<\/p>\n\n\n\n

Brook, Barry S., and David Bain, \u201cMusic in the Life of Man: Theoretical and Practical Foundations for a World History.\u201d Yearbook for Traditional Music<\/em> 16 (1984): 155\u201365.<\/p>\n\n\n\n

Byl, Julia. Antiphonal Histories<\/em>: Resonant Pasts in the Toba Batak Musical Present<\/em>. Hartford: Wesleyan University Press, 2014.<\/p>\n\n\n\n

———–, and Jim Sykes. <\/em>\u201cEthnomusicology and the Indian Ocean: On the Politics of Area Studies.\u201d Ethnomusicology <\/em>64, no. 3 (2020): 394\u2013421.<\/p>\n\n\n\n

Carr, James Revell. Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels. <\/em>Urbana and Chicago: University of Illinois Press, 2014.<\/p>\n\n\n\n

Castro, Christi-Anne. Musical Renderings of the Philippine Nation<\/em>. Oxford: Oxford University Press, 2011.<\/p>\n\n\n\n

Chang, Hyun Kyong Hannah. \u201cTranscending the Past: Singing and the Lingering Cold War in the South Korean Christian Diaspora.\u201d Twentieth-Century Music <\/em>18, no. 3 (2021): 447\u201367.<\/p>\n\n\n\n

———–. \u201cSinging and Praying among Korean Christian Converts (1896-1915): A Trans-Pacific Genealogy of the Modern Korean Voice.\u201d In The Oxford Handbook of Voice Studies<\/em>, edited by Nina Eidsheim and Katherine Meizel, 457\u201374. New York: Oxford University Press, 2019.<\/p>\n\n\n\n

Coelho, Victor Anand. \u201cMusic in New Worlds.\u201d In The Cambridge History of Seventeenth-Century Music<\/em>, edited by Tim Carter and John Butt, 88\u2013110. Cambridge: Cambridge University Press, 2005.<\/p>\n\n\n\n

Eyerly, Sarah Justina. Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. <\/em>Indiana University Press, 2020. <\/em> <\/p>\n\n\n\n

Fosler-Lussier, Danielle. Music in America\u2019s Cold War Diplomacy.<\/em> Oakland: University of California Press, 2015.<\/p>\n\n\n\n

———–. Music on the Move.<\/em> Ann Arbor: University of Michigan Press, 2020.<\/p>\n\n\n\n

———–. \u201cMusic Pushed, Music Pulled: Cultural Diplomacy, Globalization, and Imperialism.\u201d Diplomatic History <\/em>36, no. 1 (2012): 53\u201364.<\/p>\n\n\n\n

Gill, Denise. Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians. <\/em>New York and London: Oxford University Press, 2017.<\/p>\n\n\n\n

Head, Matthew. \u201cHaydn\u2019s Exoticisms: Difference and the Enlightenment.\u201d In The Cambridge Companion to Haydn<\/em>, edited by Caryl Clark, 77\u201392.  Cambridge: Cambridge University Press, 2011.<\/p>\n\n\n\n

Hijleh, Mark. Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures<\/em>. Farnham: Ashgate, 2012.<\/p>\n\n\n\n

———–. Towards a Global Music History: Intercultural Convergence, Fusion, and Transformation in the Human Musical Story<\/em>. New York: Routledge, 2019.<\/p>\n\n\n\n

Hu, Zhuqing (Lester) S. \u201cChinese Ears, Delicate or Dull? Toward a Decolonial Comparativism.\u201d Journal of the American Musicological Society<\/em> 74, no. 3 (2021): 501\u2013569.<\/p>\n\n\n\n

Irving, David R. M. Colonial Counterpoint<\/em>. Oxford: Oxford University Press, 2010.<\/p>\n\n\n\n

———–. \u201cComparative Organography in Early Modern Empires.\u201d Music & Letters <\/em>90, no. 3 (2009): 372\u201398.<\/p>\n\n\n\n

———–. \u201cThe Dissemination and Use of European Music Books in Early Modern Asia.\u201d Early Music History<\/em> 28 (2009): 39\u201359.<\/p>\n\n\n\n

———–. \u201cRethinking Early Modern \u2018Western Art Music\u2019: A Global History Manifesto.\u201d Musicological Brainfood 3.1 (2019): <https:\/\/brainfood.musicology.org\/rethinking-early-modern-western-art-music\/>.<\/p>\n\n\n\n

———–. \u201cHearing Other Cities: The Role of Seaborne Empires and Colonial Emporia in Early Modern Global Music History.\u201d In Hearing the City in Early Modern Europe<\/em>, edited by Tess Knighton and Ascensi\u00f3n Mazuela-Anguita, 69\u201384. Turnhout: Brepols, 2018.<\/p>\n\n\n\n

———–. \u201cAncient Greeks, World Music, and Early Modern Constructions of Western European Identity.\u201d In Studies on a Global History of Music: A Balzan Musicology Project<\/em>, edited by Reinhard Strohm, 21\u201341. Abingdon: Routledge, 2018.<\/p>\n\n\n\n

———–. \u201cCosmopolitanism and Music in the Early Modern Lusophone World.\u201d In Cosmopolitanism in the Portuguese-speaking World<\/em>, edited by Francisco Bethencourt, 111\u201331. Leiden: Brill, 2018.<\/p>\n\n\n\n

———–. \u201cMusic in Global Jesuit Missions, 1540\u20131773.\u201d In The Oxford Handbook of the Jesuits<\/em>, edited by Ines G. Zupanov, 598\u2013634. New York: Oxford University Press, 2019.<\/p>\n\n\n\n

———–. \u201cMusic and Empire.\u201d In The Encyclopedia of Empire<\/em>, edited by John MacKenzie, Nigel Dalziel, Michael Charney, and Nick Doumanis. Chichester, UK and Hoboken, US: Wiley Blackwell, 2016.<\/p>\n\n\n\n

Jaji, Tsitsi Ella. Africa in Stereo: Modernism, Music, and Pan-African Solidarity<\/em>. New York: Oxford University Press, 2013.<\/p>\n\n\n\n

Johnson, Stephen. <\/em>\u201cHybrid in Form, Socialist in Content: the Formal Politics of Ch\u014flga <\/em>in the North Korean Revolutionary Opera Sea of Blood.<\/em>\u201d Twentieth-Century Music<\/em> 18, no. 3 (2021): 419\u201345.<\/p>\n\n\n\n

Kartomi, Margaret J., and Stephen Blum, eds. Music-Cultures in Contact: Convergences and Collisions. <\/em>Basel: Gordon and Breach, 1994.<\/p>\n\n\n\n

Kuss, Malena, ed. Music in Latin America and the Caribbean: An Encyclopedic History<\/em>. Austin: University of Texas Press, 2004.<\/p>\n\n\n\n

Laborde, Denis. \u201c\u00c9crire une histoire universelle de la musique?\u201d In D\u00e9sirs d\u2019histoire<\/em>, edited by Denis Laborde, 107\u201330. Paris: L\u2019Harmattan, 2009.<\/p>\n\n\n\n

Liao, Yvonne. \u201c\u2018Die gute Unterhaltungsmusik\u2019: Landscape, Refugee Caf\u00e9s, and Sounds of Little Vienna in Wartime Shanghai.\u201d The Musical Quarterly<\/em> 98, no. 4 (2016): 350\u201394.<\/p>\n\n\n\n

———–. \u201cEmpires in Rivalry: Opera Concerts and Foreign Territoriality in Shanghai, 1930\u20131945.\u201d In Operatic Geographies: The Place of Opera and the Opera House<\/em>, edited by Suzanne Aspden, 148\u201361. Chicago and London: University of Chicago Press, 2019.<\/p>\n\n\n\n

———–. \u201cPost\/Colonial Bach.\u201d In Rethinking Bach<\/em>, edited by Bettina Varwig, 59\u201376. New York: University of Oxford Press, 2021.  <\/p>\n\n\n\n

Liu, Bess Xintong. \u201c\u2018The Timpani Beats Just Hit on My Heart!\u2019 Music, Memory, and Diplomacy in the Philadelphia Orchestra\u2019s 1973 China Tour.\u201d Twentieth-Century Music <\/em>18, no. 3 (2021): 395\u2013418.<\/p>\n\n\n\n

Lubinski, Christina, and Andreas Steen. \u201cTraveling Entrepreneurs, Traveling Sounds: The Early Gramophone Business in India and China.\u201d Itinerario <\/em>41, no. 2 (2017): 275\u2013303.<\/p>\n\n\n\n

Mann, Kristin Dutcher. The Power of Song and Dance in the Mission Communities of Northern New Spain, 1590\u20131810<\/em>. Berkeley: Academy of American Franciscan History, 2010.<\/p>\n\n\n\n

McCollum, Jonathan, and David G. Hebert, eds. Theory & Method in Historical Ethnomusicology<\/em>. Lanham, MD: Lexington Books, 2014.<\/p>\n\n\n\n

McCorkle, Brooke. \u201cWas ist Japanisch?: Wagnerism and Dreams of Nationhood in Modern Japan.\u201d In Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor<\/em>, edited by Neil Gregor and Tom Irvine, 169\u201393. New York: Berghahn Books, 2019.<\/p>\n\n\n\n

———–. \u201cTwilight of an Empire: Staging Wagner in Wartime Tokyo.\u201d In Music Theater as Global Culture: Wagner\u2019s Legacy Today<\/em>, edited by Anno Mungen, Nicholas Vazsonyi, Julie Hubbert, Ivana Rentsch, and Arne Stollberg, 51\u201364. W\u00fcrzburg: K\u00f6nigshausen & Neumann, 2017.<\/p>\n\n\n\n

———–. \u201cAkira Ifukube.\u201d Oxford Bibliographies in Music, <\/em>edited by Bruce Gustafson. New York: Oxford University Press, 2017. Online.<\/p>\n\n\n\n

Moreda Rodriguez, Eva. \u201cTransatlantic Networks in the Correspondence of Two Exiled Spanish Musicians, Juli\u00e1n Bautista and Adolfo Salazar.\u201d Journal of the Royal Musical Association <\/em>140, no. 1 (2015): 93\u2013119.<\/p>\n\n\n\n

Nettl, Bruno. \u201cSome Aspects of the History of World Music in the Twentieth Century.\u201d Ethnomusicology<\/em> 22, no. 1 (1978): 12\u201336.<\/p>\n\n\n\n

———–. The Western Impact on World Music: Change, Adaptation, and Survival<\/em>. New York: Schirmer, 1985.<\/p>\n\n\n\n

Ochoa Gautier, Ana Mar\u00eda. Aurality: Listening and Knowledge in Nineteenth-Century Colombia<\/em>. Durham, NC: Duke University Press, 2014.<\/p>\n\n\n\n

O\u2019Connell, John Morgan. \u201cAlabanda: Brass Bands and Musical Methods in Turkey.\u201d In Giuseppe Donizetti Pasha: Musical and Historical Trajectories between Italy and Turkey<\/em>, edited by Federico Spinetti, 19\u201337. <\/em>Bergamo: Fondazione Donizetti, Sagge Monografie 7, 2010.<\/p>\n\n\n\n

Olwage, Grant. \u201cJohn Knox Bokwe, Colonial Composer: Tales about Race and Music.\u201d Journal of the Royal Music Association<\/em> 131, no. 1 (2006): 1\u201337.<\/p>\n\n\n\n

Park, Hye-jung. \u201cMusical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945-1948.\u201d Journal of the Society for American Music <\/em>15, no. 1 (2021): 1\u201329.<\/p>\n\n\n\n

Pasler, Jann. \u201cThe Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France.\u201d Journal of the Royal Musical Association<\/em> 129, no. 1 (2004): 24\u201376.<\/p>\n\n\n\n

Powers, David M. From Plantation to Paradise? Cultural Politics and Musical Theatre in French Slave Colonies, 1764\u20131789<\/em>. East Lansing: Michigan State University Press, 2014.<\/p>\n\n\n\n

Quevedo, Marysol. \u201cExperimental Music and the Avant-garde in Post-1959 Cuba: Revolutionary Music for the Revolution.\u201d In Experimentalisms in Practice: Music Perspectives from Latin America<\/em>, edited by Alejandro Madrid, Eduardo Herrera, and Ana Alonso-Minutti, 251\u201378. New York: Oxford University Press, 2018.<\/p>\n\n\n\n

———–. \u201cMusic of Puerto Rico.\u201d In Oxford Bibliographies in Music<\/em>, edited by Kate van Orden. New York: Oxford University Press, 2019.<\/p>\n\n\n\n

———–. \u201cClassical Music in Cuba.\u201d In Oxford Bibliographies in Music<\/em>, edited by Bruce Gustafson. New York: Oxford University Press, 2016.<\/p>\n\n\n\n

Rao, Nancy Yunhwa. Chinatown Opera Theater in North America. <\/em>Urbana, IL: University of Illinois Press, 2017.<\/p>\n\n\n\n

Robertson, Carol E., ed. Musical Repercussions of 1492: Encounters in Text and Performance<\/em>. Washington, DC: Smithsonian Institution, 1992.<\/p>\n\n\n\n

Rosenberg, Ruth E. Music, Travel, and Imperial Encounter in Nineteenth-Century France: Musical Apprehensions<\/em>. New York and London: Routledge, 2014.<\/p>\n\n\n\n

Schofield, Katherine Butler. \u201cReviving the Golden Age Again: \u2018Classicization,\u2019 Hindustani Music, and the Mughals.\u201d Ethnomusicology<\/em> 54, no. 3 (2010): 484\u2013517.<\/p>\n\n\n\n

Shelemay, Kay Kaufman. \u201c\u2018Historical Ethnomusicology\u2019: Reconstructing Falasha Liturgical History.\u201d Ethnomusicology<\/em> 24, no. 2 (1980): 233\u201358.<\/p>\n\n\n\n

Solis, Gabriel. \u201cThe Black Pacific: Music and Racialization in Papua New Guinea and Australia.\u201d Critical Sociology <\/em>41, no. 2 (2014): 1\u201316.<\/p>\n\n\n\n

———–. \u201cTranspacific Excursions.\u201d In This Thing Called Music: Essays in Honor of Bruno Nettl<\/em>, edited by Victoria Lindsay Levine and Philip V. Bohlman, 354\u201365. Lanham, MD: Rowman & Littlefield, 2015.<\/p>\n\n\n\n

Strohm, Reinhard, ed. Studies on a Global History of Music: A Balzan Musicology Project<\/em>. New York: Routledge, 2018.<\/p>\n\n\n\n

Sumarsam. Javanese Gamelan and the West<\/em>. Rochester: University of Rochester Press, 2013.<\/p>\n\n\n\n

Takao, Makoto Harris. \u201c\u2018In Their Own Way\u2019: Contrafactal Practices in Japanese Christian Communities during the 16th<\/sup> Century.\u201d Early Music <\/em>47, no. 2 (2019): 183\u2013198.<\/p>\n\n\n\n

Thomas, Susan. \u201cMusic, Conquest, and Colonialism.\u201d In Musics of Latin America,<\/em> edited by Robin Moore, 25\u201350. New York: W.W. Norton, 2012.<\/p>\n\n\n\n

Tomlinson, Gary. \u201cMusicology, Anthropology, History.\u201d Il Saggiatore musicale<\/em> 8, no. 1 (2001): 21\u201337.<\/p>\n\n\n\n

———–. The Singing of the New World: Indigenous Voice in the Era of European Contact<\/em>. Chicago: University of Chicago Press, 2007.<\/p>\n\n\n\n

\u201cTowards a World History of Music,\u201d The World of Music<\/em> 22, no. 3 (1980).<\/p>\n\n\n\n

Walton, Benjamin. \u201cItalian Operatic Fantasies in Latin America.\u201d Journal of Modern Italian Studies <\/em>17, no. 4 (2012): 460\u201371.<\/p>\n\n\n\n

Wang, Grace. Soundscapes of Asian America: Navigating Race Through Musical Performance. <\/em>Durham, NC: Duke University Press, 2015.<\/p>\n\n\n\n

Weidman, Amanda J. Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India<\/em>. Durham, NC: Duke University Press, 2006.<\/p>\n\n\n\n

Wilbourne, Emily, and Suzanne G. Cusick, eds. Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity. <\/em>Cambridge: Open Book Publishers, 2021.<\/p>\n\n\n\n

Woodfield, Ian. English Musicians in the Age of Exploration<\/em>. New York: Pendragon Press, 1995.<\/p>\n\n\n\n

Yang, Hon-Lun Helan. \u201cColonialism, Cosmopolitanism, and Nationalism: the Performativity of Western Music Endeavours in Interwar Shanghai.\u201d Twentieth-Century Music <\/em>18, no. 3 (2021): 363\u201393.<\/p>\n\n\n\n

Yang, Serena. \u201cAgainst \u2018John Cage Shock\u2019: Rethinking John Cage and the Post-war Avant-garde in Japan.\u201d Twentieth-Century Music <\/em>18, no. 3 (2021): 341\u201362.<\/p>\n\n\n\n

Bibliography \u2013 Approaches, Historiography, Theory<\/strong><\/p>\n\n\n\n

Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference. <\/em>Princeton: Princeton University Press, 2002.<\/p>\n\n\n\n

Conrad, Sebastian. What is Global History? <\/em>Princeton and Oxford: Princeton University Press, 2016.<\/p>\n\n\n\n

Fran\u00e7oise, Lionnet, and Shu-mei Shih, eds. Minor Transnationalism. <\/em>Durham and London: Duke University Press, 2005.<\/p>\n\n\n\n

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. <\/em>London: Verso, 1993.<\/p>\n\n\n\n

Loomba, Ania. \u201cPeriodization, Race, and Global Contact.\u201d Journal of Medieval and Early Modern Studies <\/em>37, no. 3 (2007): 595\u2013620.<\/p>\n\n\n\n

Northrop, Douglas, ed. A Companion to World History. <\/em>Malden, MA and Oxford: Blackwell Publishing, 2012.<\/p>\n\n\n\n

Pollock, Sheldon. \u201cCosmopolitan and Vernacular in History.\u201d Public Culture <\/em>12, no. 3 (2000): 591\u2013625.<\/p>\n\n\n\n

Quijano, Anibal. \u201cColoniality of Power, Eurocentrism, and Latin America.\u201d Nepantla: Views from South <\/em>1, no. 3 (2000): 533\u201380.<\/p>\n\n\n\n

Smith, Linda Tuhiwai. Decolonizing Methodologies: Research and Indigenous Peoples. <\/em>London: Zed, 1999.<\/p>\n","protected":false},"excerpt":{"rendered":"

* This bibliography is not meant to be an exhaustive list of relevant works. If you would like to add your or other work(s) to this list, please e-mail globalmusichistory.ams@gmail.com.\u00a0 Bibliography – Music Studies Araci, Emre. \u201cGiuseppe Donizetti at the Ottoman Court: A Levantine Life.\u201d The Musical Times 143, no. 1880 (Autumn 2002): 49\u201356. ———–.… Continue reading Bibliography<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-34","page","type-page","status-publish","hentry","entry"],"yoast_head":"\nBibliography - AMS Global Music History Study Group<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/globalmusichistory.ams-net.org\/?page_id=34\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography - AMS Global Music History Study Group\" \/>\n<meta property=\"og:description\" content=\"* This bibliography is not meant to be an exhaustive list of relevant works. 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